Mafia II: Jimmy's Vendetta Review

Mafia II featured great shooting and fun fisticuffs, but it was the story and set piece levels that gave it that extra punch. The game's first premium downloadable add-on, Jimmy's Vendetta, is a sizeable one, but it's a dim shadow of its big brother. An action-packed and chaotic opening gets your blood pumping, and some missions provide ample opportunity to blow up volatile vehicles. But overall, this mission-based romp through Empire City is a disappointment. Mission quality is all over the place, ranging from deadly boring, to fun and satisfying, to frustratingly cheap. There isn't much story to give your actions context, beyond a mission description and a couple of short but snazzy cinematics. Mafia II's core action remains solid, but it's stuffed into an uneven package without character or soul.

Hearing Nickelback over these convertibles' radios was more than Jimmy could take.

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Your initial reaction to this downloadable content may very well be: "Who's Jimmy?" PlayStation 3 owners were given an introduction to this bald brigand in a free add-on called The Betrayal of Jimmy; everyone else will be hard pressed to wonder why they should care about this character beyond his frequent and amusing use of the f-word. Raspy voice acting and dark shades give Jimmy a barely veiled air of acrimony, but aside from the great-looking cutscenes that open and close this adventure, mission descriptions are the only source of context for his crimes. You may think that the exciting prison escape that thrusts you back into the atmospheric Empire City sets the stage for another thrilling and tightly scripted mob romp. Instead, Jimmy's Vendetta is more of an arcade take on Mafia II's mobster mayhem. You drive from one timed mission location to the next until you reach the inevitable final showdown, getting scored on your performance and a chance to see how well you did compared to other players on the online leaderboards.

Unfortunately, the lack of narrative really hurts Jimmy's escapades. A number of missions involve stealing a vehicle and driving it to a garage, often located a good distance from your starting location. Several of these vehicles, like a police transport and a giant tanker, are slow, cumbersome, and boring to drive. In Mafia II, longer driving sequences had context in the larger story, and the chatty and funny Joe Barbaro was usually there to provide a few laughs and groans. After all, a road trip is always more fun when you have someone along for the ride. Here, not only do you drive more sluggish vehicles, but you also have no company, and there's no attempt to elevate these missions beyond "drive truck from point A to point B." Action-based missions are thankfully more stimulating because they rely on Mafia II's strong combat mechanics. Several of them are quite good, and the manner in which you earn more points for stringing kills in quick succession has you pushing forward to get headshot after headshot. The best of these missions feature opportunities to blow up cars and trucks, which is always fun due to Mafia II's impressive explosions, which look and sound terrific and leave behind husks of flaming metal. A couple of missions in which you protect a vulnerable civilian are also enjoyable because they give you a chance to pick off incoming enemies from behind cover and rack up the points.

Jimmy's likes his beer cold, his TV loud, and his fuel stations flaming.

Other shooting missions are incredibly frustrating because they lack the clever cover and enemy placement of the main game. In many scenarios, you face legions of angry adversaries but are given few, if any, places for a respite. This is an unusual design choice, given that Mafia II's shooting mechanics are derived directly from modern-day cover shooters like Gears of War and Uncharted: Drake's Fortune. All too often, you are stuck out in the open with only your wits and luck to save you, and Jimmy is remarkably fragile. And because you are usually in a hurry due to the ever-ticking timer, you will frequently deal with cops in addition to your main foes. As Mafia II fans know, Empire City is crawling with fuzz craving to chase a speeding vehicle, and because the timer encourages you to move at top speed, they're on your tail constantly here. These two elements--oversensitive police and a clock pushing you to rush--don't fit well together; some missions are already exasperating enough without throwing cops into the fray. The final operation is the most maddening; on top of these other annoyances, you engage enemies in the tight confines of a mansion. Remember how the camera pulled in extremely close to Vito whenever you entered apartments and hallways in Mafia II? Now, imagine trying to handle a shotgun or tommy gun at the same time. You can't see, you can't maneuver, and you can't wring any fun out of it.

The slapdash nature of this DLC is disappointing, considering Mafia II's outstanding sense of place and time. Empire City is a wonderful place, and the day/night cycle and weather effects make the world come alive. The game also comes alive when you get a chance to light the skies with flames and fury, taking down nearby enemies and racking up the points in the process. But these sparks are too often snuffed out by frustrating mission design and deadly boring driving sequences. It could take you five hours or so to gun your way through Jimmy's Vendetta, which at $9.99 sounds like a great value. But there's only so much value in an add-on this inconsistent, and even the most fanatical Mafia II players should give pause before devoting time and money to Jimmy's revenge tale.

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R.U.S.E. Review

R.U.S.E. is a fun and fascinating real-time strategy game, as long as you know which parts of it to invest in and which to skip entirely. In spite of some difficulties finding an online opponent, it prospers in the competitive arena, putting an intriguing use of bluffs and reconnaissance to good use on expansive maps that will test your ability to control the battlefield. Offline, you get some mileage out of its single-player skirmishes, but where R.U.S.E. falters is in its plodding, poorly paced campaign. Bizarre character models and bad writing prove distracting, while too-frequent story intrusions interrupt the flow of missions just as they start to get interesting. But the clumsy campaign aside, R.U.S.E.'s unique mechanics lead to tense and enjoyable standoffs in which, literally, things are not always what they seem.

Never underestimate the value of antiair units.

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One of R.U.S.E.'s finer aspects is its ease of use, which makes it approachable for both newcomers and experts alike. When you zoom all the way out, you see the entire battlefield as if it's mapped on a general's strategy table, where units are depicted as stacks of chips. If you zoom in, you can watch and give orders to a single infantry squad or individual tank; if you zoom out, nearby units are grouped together into single stacks, which isn't just a neat effect because it enables you to command large groups of units with a single click. It's a smart and friendly way of keeping track of the entire map at once, while giving you precise control when you need it. There's a certain simplicity to it all that may at first turn veterans off; there are limitations to where certain structures can be built, tech upgrades are very elementary, and you can't set up patrols or assign units to guard others. But once you get wrapped up in the game's more unique attributes, you discover that R.U.S.E. isn't as simple as it first appears; rather, it plays by a different set of rules than you might be used to seeing in strategy games.

The most obvious way R.U.S.E. mixes up the standard real-time strategy model is by employing ruses, which are special skills that allow you to fool your opponent or reveal his or her secrets in a variety of interesting ways. Maps are divided into segments in which you can activate these ruses, and there are limitations to how often you can use them and how many can be active in a particular sector at a given time. Games are won and lost with these ruses. Perhaps you will send in a squad of decoy ground units so that you can distract your opponent's front lines while you attack from the rear. Or maybe you would rather send bombers to attack an oncoming prototype tank from the skies after activating the terror ruse, which causes enemy units to rout much more quickly than normal. There's a tremendous amount of satisfaction in seeing your plans come together or in foiling your adversary. Hide your buildings from view and spoil the opposition's attempt to destroy your airfield. Use radio silence to sneak antitank defenses and artillery into firing position and then use your spies to unveil their units. Ruses open up possibilities you've never seen in a strategy game before, and it's a blast to create new ways of playing on the fly just to see where they lead.

Faking a tank assault is a good way to distract your enemy while you levy an attack on a different front.

R.U.S.E. is at its best online, where you choose one of six nations and battle it out on maps that support up to eight players. Each nation is similar enough to make it comfortable to switch from one to the next but different enough to open up fun new ways of playing. Perhaps light tanks may be available to you even if you've just built a barracks, or perhaps you will have access to a flexible defensive emplacement that fires both antitank and antiair salvos. Regardless of which country you choose, reconnaissance is key to success: Your units will only automatically fire if the enemy's units are actively spotted by recon vehicles (or perhaps, revealed with the spy ruse). Environmental cover is another important factor. Certain units, such as elite infantry, can be placed in woods or in cities, where they are usually hidden from the enemy's view and will ambush units that happen upon them unexpectedly. Things often get intense because there are so many ways of playing but only so many resources flowing in at any given time. If you play smartly, you can capture enemy resource nodes with your infantry. But if you get careless, you might lose an entire battalion of tanks to a few infantry units hidden in a forest near a strategic road juncture.

hat said, there are some problems with online play. R.U.S.E. uses Steam to connect you with others, which is in some ways a convenience because it allows you to easily hook up with friends without using Ubisoft's own oft-problematic online service. However, there are apparently some restrictions that limit how many other players you might find via matchmaking, both for ranked and unranked games. You may spend countless minutes waiting for the game to match you with a similarly ranked player only to come up empty-handed or perhaps be matched with a player of a much higher level. Or you may have no success being assigned to an unranked game and find no games at all to join in the server browser. The community isn't barren, so patience will pay off, but a better online arrangement could have made for a more painless experience.

Story interruptions like these aren't exciting--just annoying.

You can play offline if you have trouble finding an opponent, of course, and one-off skirmishes and challenges do a fine job of keeping you entertained. It's too bad that R.U.S.E.'s mediocre campaign fails to employ the strengths of its core gameplay. Certainly, you shouldn't play it for its story: second-rate voice acting and weird-looking character models with crude facial creases make the poorly lit cutscenes almost uncomfortable to watch. Some of the dialogue is truly awful; a truth you come to hysterical grips with in a serious scene gone inadvertently campy that prominently features the word "nuts." The plot follows the rise of Major Joe Sheridan as he rises up the ranks of the US Army in World War II while struggling with the onslaught of German troops that always seem to be one step ahead of him. This isn't a gripping tale, yet it has a tendency to frequently and annoyingly intrude on your missions. Every few minutes, the game will yank control from you just as you are getting into the swing of things, swoop the camera around the battlefield while you hear another mission update, and reset the camera in a position other than the one in which it started. Other times, new units and story updates will be introduced in slide-in panels as you play, which also limits your view of the battlefield and slides the interface out of position. Not only do these constant amateur narrative invasions mess with the tempo, but they also temporarily mess with your view of the battlefield. Most every aspect of the storytelling is poorly conceived and inexpertly delivered.

The missions hold your hand well into the lengthy campaign, and at that point, you'll be longing for the game to trust in your ability to play it and let you take command of a full-fledged battle. A new ruse is introduced every few chapters and new units are fed to you at a slow pace. The upside is that you have time to come to grips with each new ruse and unit and can fully understand their best uses for deployment. The downside is that if you've played a strategy game before, you'll be itching for something more interesting than battles featuring a limited army and limited resource management. R.U.S.E.'s campaign is fairly easy and strategically simple until you reach the end, at least on standard difficulty. The final missions will test your strategic prowess, though a few of them don't test your flexibility and know-how as much as they test your ability to understand exactly what the game expects of you. In some cases, you are placed in tightly scripted scenarios with very specific counters. These missions play out more like puzzles than strategic tests of skill and aren't a whole lot of fun. All the flaws with the campaign undermine a clever and fun foundation that deserved a chance to excel, but it suffers from too many limits for too long a stretch.

Unarmed recon aircraft are incredibly vulnerable. Take care with their deployment.

The game performs well, letting you zoom in and out with ease without any noticeable slowdown, though it would seem that some compromises have been made to accommodate the overall scope. Neither the terrain nor the units are all that detailed when viewed at relatively close distances. The art design also doesn't make any statement beyond "generic World War II." Yet, it's still a fine-looking game that displays a lot of units doing a lot of things at once without a struggle, though you will notice some geometric pop-in. In the same way, the boilerplate wartime soundtrack sets the right tone, if not exactly excelling. But it isn't the presentation's strengths and weaknesses that will strike you as much as R.U.S.E.'s fascinating twist on a standard genre. It's unfortunate that the spiritless campaign and online peculiarities fail to elevate R.U.S.E. to the head of its class. And yet, when it's allowed to breathe--both online and in one-off skirmishes--it's a flexible strategy game that requires you to think differently. Every game follows a unique path, requiring lots of smart recon and using ruses to fool your enemy. If you can look past the foibles, you'll find R.U.S.E. to be a fun and occasionally intense real-time strategy game that's just unusual enough to catch your imagination.

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